Nuendo empowers audio professionals working for the film, television and media industry to higher levels of productivity VocALign Project is an affordable audio alignment for music and post-production. AmplifikationVermilion is a guitar amp simulator for more rootsy guitarists who demands authenticity with its tremolo Mac 's System Preferences On Mac , the Most Macs can handle Obviously, when Windows and Mac applications side E-mail This Review.
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Nuendo 4 | Steinberg
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Screenshots Next Back. Master-out level or pan adjustments are made in that window.
Once the output assignments are made, select the surround panners for each track or select a surround setup when creating a Project , and you're ready to roll. The surround panners at the top of each surround channel look like stylized pool tables with balls that display the pan position. Double-clicking on a channel strip's panner opens a larger panner dialog box, which can be square or round, depending on your pan-display settings.
The larger box lets you fine-tune the surround placement; it's full of configuration options that control relative pan widths within the selected surround-sound field, center speaker level, and subwoofer level. Conventional stereo effects can be inserted into the surround field in several ingenious ways.
A maximum of eight effects sends can be assigned to a Project. Several reverbs or other plug-ins can be used to re-create a natural, reverberant sound field. Steinberg has released Nuendo Surround Edition , a set of six plug-ins offering as many as eight channels of compression, equalization, loudness maximization, reverberation, and LFE management. TC Works also offers an 8-channel reverb for Nuendo. In addition, effects can be inserted into the master-output section for final mastering. When a stereo effect is inserted into a surround Project, a routing patch bay pops up to assign the stereo outs to any surround output channels.
One of Nuendo 's most exciting features is the Matrix Encoder, a Dolby Pro Logic-compatible plug-in that can actually encode a discrete 5. That lets you insert the Encoder into the final stage of the master effects outputs after the master gain stage and have Nuendo create a stereo mixdown of the resulting file in any of several file formats. That's right: you can end up with a stereo mixdown that's Dolby Pro Logic-compatible. So what? Considering that serious game surround and the television-broadcast surround standard is Pro Logic, this is your chance to create a stereo music, video, or game soundtrack master that can be heard in surround.
On several occasions at major production facilities, I've attempted to transfer a 5. I've tried the same thing with Nuendo , and it works amazingly well; for some users, that function alone is practically worth Nuendo 's price tag.
Nuendo supports more formats than you might expect. You can also extract audio from a CD by importing the track or tracks into the Project window or Pool. Nuendo 1. If you plug the MX's hard drive into a compatible PC bay, Nuendo can import the session files and information directly into a Project.
You could even edit the session and export the edits back in the MX's format.
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Once imported, the audio track can be edited, replaced, and then exported back to the source's native format. In addition, Nuendo can create a printable track sheet that includes SMPTE start and stop times for each Audio Event that occurs in a post-production Project; that is an important feature for placing and keeping track of Audio Events within a video or film. A nifty option lets you use a simple game joystick for surround panning.
I've been using the program with the Tascam US, which was functionally designed with Cubase and Nuendo in mind. It doesn't have moving faders, but the cost-effective addition has made controlling the program and mixing a lot of fun. Combined with its editing, mixing, and real-time processing power, Nuendo 's sleek design is reminiscent of having an SSL console on your computer screen.
I'm not used to having so much processing and effects power and such robust capabilities in terms of platform crossing, importing and exporting, and surround sound. On the graphic-display side, Nuendo definitely benefits from having lots of monitor real estate. I have a inch screen, and I don't think I'd be comfortable with less than 19 inches.
Nuendo addresses its need for viewing space by offering support for dual monitors.
For example, that feature lets you put the Project window on the left screen and the Mixer on the right. Nuendo is fairly bug free, though no newly released program is totally free of problems. If the system crashes as it occasionally did for me , Nuendo has a crash-recovery feature that saves your unsaved moves within a projectname.
At the outset, it's a good idea to name the current Project. If you open a new Project and begin a session without having saved it under a file name, you'll have to start from scratch if your system crashes. Nuendo isn't meant to be an all-in-one music-production tool. Nonetheless, it comes so close that I really wish it included features to humanize MIDI timing and the ability to record and transmit SysEx dumps.
It's packed with so many other features that those additions would have made it a one-stop program for music and mixing production. Two pieces of printed documentation are included with the software: Basics and a complete Operation Manual. They're conveniently hyperlinked in an outline form for quick access to many features and functions.
In addition to reading the manuals and help files, occasionally browse the Nuendo Web site, which provides program updates, features, and tips.
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